Letter to Anastacia

Authors

DOI:

https://doi.org/10.21669/tomo.v42i.18597

Keywords:

cultural silencing, artistic performance, intersectional feminism

Abstract

In this article, in which we experiment the letter as method and form of analysis already consolidated in previous academic research, we outline a dialogue between art and the social issues that provoke it, more specifically, gender inequalities in Brazilian society. In the pursuit of this interlocution built through a fictional narrative, we start from our experiences with the artistic performance Epístolas Profanas, to reflect on the cultural silencing of women in the historical construction of gender identity in Brazil, considering racial intersections, especially the issue of miscegenation and its (aesthetic) implications, in a decolonial perspective.

 

 

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Author Biography

Morgana Barbosa, Federal University of Mato Grosso

Morgana Poiesis is a poet, actress-performer, journalist, cultural producer and researcher. Graduated in Social Communication, specialist in Communication and Politics (UESB), Master in Performing Arts (UFBA) and PhD in Cultural Performances (UFG). She is an employee of the Coordination of Culture / PROEX / UESB.

References

Referências

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Published

2023-06-30

How to Cite

Barbosa, M. (2023). Letter to Anastacia. TOMO Review, 42, e18597. https://doi.org/10.21669/tomo.v42i.18597

Issue

Vol. 42 (2023): Continuous Publication

Section

Gender, Sexuality, and Resistance in the Arts: Perspectives from the Global South

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